Author Archives: anna

News and Stuff: August 2012

Excitement is thick in the air at American Steel, along with flying sparks and thumping tunes. For many of our industrial artists, the month of August is the time when everything else gives way to long nights and blistering days of blazing through weld after weld. Forget burning the Man; right now it’s all about burning the midnight oil.

But that’s not all that’s in the works! As always, we’ve had groups touring American Steel, tons of accomplishments from our tenants, and plenty of happenings in the neighborhood. Read all about it in our August 2012 Newsletter!

Missed a previous issue? View past issues here.

Featured Innovator: Jeff Clarkson, Lumlit

American Steel: What do you do?
Jeff Clarkson: I design and build custom high-performance LED lighting.

AS: Why do you do what you do?
JC: I thought it would be fun. I have a Ph.D in materials science, and I’m connected to the semiconductor industry. Not all of the chips manufactured for semiconductors are identical; some are higher-yielding, but because they’re non-standard, I can get my hands on them. They use about 30 percent of the energy, and are about five times brighter, than a lot of the LED products already being mass produced. I was going through school, looking for a job and playing with different ideas. I took some measurements and found that I had access to LED technology that was light years ahead of what’s in place right now, and I thought I’d be able to come up with some unique and interesting designs.

AS: What brought you to American Steel?
JC: Originally, I was building all this stuff in my loft in Oakland. It was a completely undesirable setup. I needed a dedicated workspace. I’m mostly a one-man show, and I don’t have any interest in scaling up production. Because of my credentials and the reputation I’ve built, I can provide design consulting and work one-on-one with high-end firms. I also do solar cell and energy consulting. But I have a very lean business model: I don’t mass-produce items, and I don’t have a loan from the bank or investors because that might limit my product’s versatility. One of the core values of Lumlit is versatility. So I need my space here to be flexible as well – and affordable.

AS: How has working in American Steel helped your business grow?
JC: It’s opened up a world of possibility. I originally moved in because Brian Pepin [also a tenant and electrician] introduced me. Now, if I have a question about materials or how to do something, I can probably find someone in the building to help me. If I need to know about glass, I can go ask Jay [Musler]. Just today I found some new folks to help me cut materials. Asking for help from others is also a great way to see what everybody else is working on. The community here has completely enhanced my ability to make my designs a reality.

AS: How have you been able to contribute to the community?
We needed new address signs on the building, and they have to be illuminated at night. But no electricity runs to the exterior walls where they’ll hang. I came up with a solar panel design that will charge a battery to backlight the [plasma-cut metal] signs from inside.

AS: What brought you to Oakland?
JC: I didn’t know how awesome Oakland was until I moved here: it’s central to everything, and I think it’s the most diverse city in the Bay. I really admire the underground scene — the original thought and original practice of things, all the original investigation. Before moving here, I had been at a wine tasting in Sonoma with someone from Oakland. I had this terrible brainwashed conception of Oakland from the media — all you hear about is angry people who riot — and I said so. He challenged me to walk around Oakland at night and see how I really felt. So I did. I went to the Buttercup Grill and I walked around at night, and it was great. Now, I know being in the Bay Area is essential to the success of Lumlit. If I took the same business model to Florida, no one would care. Other parts of the country don’t buy into tech appeal and green appeal in the same way.

AS: What do you do for fun in Oakland:
JC: I like to hike, but it’s urban hiking, like exploring the city’s industrial infrastructure. I also take bonsai classes in the bonsai garden at Lake Merritt.

AS: What’s your next big adventure?
JC: I’ve been doing some prototyping work for UC Berkeley, and may be moving into more specific field research, which is what Ph.Ds in materials science usually focus on. But whatever I do, I’ve learned so much from Lumlit: working with all the components, the metalworkers, the glassblowers, the architecture firms. I’ve learned about supply chains and coordinating design and project management in general.

AS: Thanks for lighting up our lives, Jeff!

40 Under 40: Nick Dong at the Renwick

A big welcome home to American Steel Studios’ Nick Dong, who traveled to Washington DC this month to install his Enlightenment Room as part of the Smithsonian Institute’s 40 Under 40: Craft Futures at the Renwick Gallery of Contemporary Craft and Decorative Arts.

Dong describes himself as a “conceptual metalsmith, mixed-media sculptor, and socio-commodity engineer,” and builds works that ignite an “experiential moment” for his audience: his most recent installation — a chair centered in a 14-by-4 foot room packed with 10,000 handmade porcelain tiles, plus stainless and acrylic mirror tiles, a 24-karat gold and copper lamp, and 613 LEDs, to boot — created an immersive environment that responds to participants’ touch, illuminating and rising to an auditory crescendo that fades when the participant leaves his or her seat.

“Art is not an object nor a picture,” he says, “art is the unique impact created by that object or picture.”

Read about Dong in our July Newletter, or check out the Washington Post’s review of the select group of precocious talents under 40.

Nick Dong Light

Nick Dong Dark

Or take a seat in the Enlightenment Room without leaving your chair.

Featured Innovator: Juan Jimenez, Built from Salvage

Portrait Juan JimenezJuan Jimenez is the mastermind behind Built From Salvage, dedicated to transforming reclaimed building materials into high-quality craft objects with a sustainable grain.

American Steel: What do you do?
Juan Jimenez: I build beautiful custom furniture from salvaged materials.

AS: Why do you do what you do?
JJ: Because it’s really labor intensive.
AS: Okay, but really?
JJ: I think there’s a lot of opportunity to reuse building materials, and, considering we don’t have infinite resources, I think it will be a lot more common in the future.
AS: So do you consider yourself the Avant-Garde?
JJ: No, there are already a lot of people with a great understanding of our untapped potential resources, innovating out of salvaged, reclaimed and eco-engineered materials, but it will become even more popular down the road — globally, it’s an ecological imperative.

AS: Besides being necessary for the health of our planet, is there something extra that using reclaimed materials adds to your work?
JJ: Yes. There is the personal fulfillment of not being so dependent on new things, and there’s also the character and look of the final product; it’s indescribable. A lot of my clients love to see a rusty nail as part of a perfect piece — it’s distressed, but that doesn’t mean it’s rustic.

AS: Where do you get your materials?
JJ: People remodeling their homes, people who distribute construction leftovers. They scout out materials and then come to me because they know something can be done with them. An architect once brought me a bowling lane and wanted me to make counter tops. It was challenging: it wouldn’t even fit through the wide belt sanders.
Table in Progress by Juan Jimenez
AS: How is being in Oakland important to your work?
JJ: My community is here. I’ve been in the Bay Area almost twenty years in the building trades. I did finish carpentry, furniture, and cabinetry, but I was frustrated. I wanted a bigger challenge and the independence of doing things my own way. Now I have built up a network of people in the construction and salvage industries. I get most of my materials from scrap yards and referrals. Plus, I get the great diversity of Oakland; that’s really attractive to me. I get to meet people from places that I didn’t know existed, geographically.

AS: Where did you grow up?
JJ: I was born and raised in Caracas, Venezuela.
AS: Isn’t that a very environmentally forward-thinking city?
JJ: All of Latin America is, really. But they could do more. So could North America. The environmental movement, we’re still ruled by corporate money; it’s what determines the importance of environmental facts. But there are people creating an impact — small creative businesses in pursuit of a better world.

AS: How does American Steel fit into that?
JJ: It’s a big creative hub; it’s evolving, and it still has a lot more to put out. When I first moved here, the potential seemed huge, and it turned out to be bigger than I thought.
AS: How’s that?
JJ: It’s inspiration. At times when I’m frustrated with work, all I have to do is step out my door and just go wander. And then practically, I manage to work hand in hand with other creative minds.

Juan Jimenez Finished TableAS: What collaborations have you had with others in the building?
JJ: I’ve had people do metal work for me, and Doug Kittredge from Anarchitectural just organized a group of in-house artists to renovate a bus.
AS: In reality, “bus” hardly describes the masterpiece that the four-bedroom traveling hotel became — complete with kitchen and bath, custom woodworking and fabrication, gray water and septic. The talent to do all this came from within the American Steel community, making it one-stop shopping for this kind of project.
JJ: We have the potential to evolve into an even deeper, more organized community. It’s an indescribable cultural asset, to have this diversity of talents under one roof. American Steel has a lot to offer the city, and the whole Bay.

AS: Do you live near work?
JJ: I live in Berkeley. I have a big, edible garden. It’s very convenient. I ride my bike to work a lot when I don’t have to move materials or tools. It’s a fifteen-minute commute, and sometimes, when I get home, I just go on a ride because I’m all warmed up.

AS: What is your next big adventure?
JJ: I am beginning to prototype a small furniture line of reclaimed, salvaged and eco-engineered furnishings that are easily repeated. I love custom work, but I eventually see myself having a small crew working with me, and having a little bit more time to get creative. I want to build items that will last a lifetime, something people can hand down to their kids. And it’s sustainable in that sense, too — less stuff going into landfills.
AS: Well, your work is far too beautiful for such a fate . . . Thanks for your time!

Featured Innovator: Geoff Palmer

Bike Parking logo

Geoff Palmer is the founder of bikeparking.com, a locally owned business that produces a wide variety of bike parking racks that are now being installed in cities around the world. Geoff has been building his business at American Steel Studios for several years now, and has grown his inventory to include nearly twenty unique designs.

AM: What do you do?
GP: I make bike racks primarily. To a lesser extent I also make “metal site furnishings” such as steel benches, planter boxes and trash cans.

AM: Geoff’s creations are based upon evolved design and engineering, which make cities more bike friendly as his bike racks are more secure than older designs. His process includes in-depth assessment of the needs of a bike rack – as well as what works and what doesn’t. See the what to avoid section of his website for some humorous notations on older commonly used designs.
AM: Why do you do what you do?
GP: It just seems right. It melds with how I was raised more than anything. As the son of a boat-builder, there was a real emphasis on “making” useful items. I bounced around in the computer/office world after college but nothing was fulfilling. I started this business while moonlighting in the early 90s and it eventually became a sustaining enterprise.
AM: Geoff is being humble. In reality, due to his success, Geoff often has his hands full keeping up with orders and meeting the demand for his designs.
AM: What drew you to American Steel?
GP: Way back when Pacific Pipe (next door) was still in business, they supplied me the raw pipe bends for the racks. They closed down but a lot of the machinery found its way to Bay 1 of American Steel Studios.

AM: Geoff needs some very specific tools and utilities to produce his bike racks. His primary tools are a massive bender which uses a equally enormous air compressor, both of which are run on a big pipe of 480 three-phase power – all resources which are becoming increasingly difficult to find these days.

Geoff Palmer Bike Rack at AmSteel

AM: How has working in proximity to so many artists been helpful to you and your work?
GP: More than anything it makes for a pleasant environment having the art in the midst.
AM: Why did you choose to work in Oakland?
GP: In addition to being close to San Francisco, where I live, quite simply Oakland has the infrastructure I need to produce my line of bike racks.
AM: Has proximity to the Port of Oakland and major freeways been helpful for your business?
GP: The location is a plus. Close to freeways and central to where the bike racks need to go – the galvanizer, the powder-coater, and to the various final customer destinations for the racks – Berkeley, San Jose, Marin, basically the whole Bay Area. For shipments going beyond the Bay Area, delivery trucks have easy access to all the freeways.
AM: Do you shop locally?Geoff Palmer's Bike Rack
GP: I try as much as possible to. There are definitely a number of suppliers and vendors in the East Bay Area I source.
AM: How do you feel about the growth and changes at American Steel?
GP: My feeling is that the more people you have in the space engaged in positive activity, it brings that positive energy to the whole neighborhood. The American Steel building stood nearly vacant for a number of years, now it is filled with creative people doing all manner of things, and at just about any time of day.
AM: What is your next big adventure?
GP: With young children, adventures tend to be inward and small. I’m definitely not off to the Amazon or anything like that.

AM: Don’t be so sure Geoff, I hear the Amazon has a marked lack of bike racks!

Diamonds In The Rough @ AmSteel

Please join American Steel Studios for the next Diamonds in the Rough: An Interactive Exhibit of Art, Innovation and Industry. December’s event went so well we decided to extend it to two weekends: Saturday, May 05 from 7 -11pm, and Sunday, May 06 from noon-5pm as well as the following weekend: Saturday, May 12 from 7 -11pm, and Sunday, May 13 from noon-5pm. There will be exhibits and demonstrations highlighting local artists from West Oakland, live music and tours of the American Steel Studios facility.

The grand opening will be on Saturday, May 05

View featured artists on Flickr: http://flic.kr/s/aHsjyUH6J7
Join our Facebook events page: https://www.facebook.com/events/311748395561767/
Questions? We have answers! community@americansteelstudios.com

Heading East: Artists in flux | SF Bay Guardian

“San Francisco isn’t an easy place to live for artists and others who choose to fill their souls at the expense of their bank accounts, particularly with the comparatively cheap and sunny East Bay so close. And with more of these creative types being lured eastward, Oakland and its surroundings are getting ever more hip and attractive — just as San Francisco is being gentrified by dot-com workaholics.”

Read the full article here: Heading East: Artists in flux

Part of the Flux Foundation crew in its American Steel workspace. PHOTO BY CATIE MAGEE